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See it Through

by '78

/
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1.
(Intro) 00:15
2.
Reinvention 01:46
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Who’d of known it would come to this? Who’d have known they would write this letter and give it to you? I don’t ask for much these days. I don’t know what to say. The call was waiting on your mother’s phone. Kisses that would never save, never save her son. He was left in some daughter’s arms. He was never going to come back home. Wheels up and the tail’s in flight. There’s no one to tell you what you’ve been fighting for. Is it worth fighting for? Interlude Cal was waiting for your friends. The keys were left in an open door. (Course) They were never invited. You were here to keep the score.
10.
Wheels Up 04:45
ho’d of known it would come to this? Who’d have known they would write this letter and give it to you? I don’t ask for much these days. I don’t know what to say. The call was waiting on your mother’s phone. Kisses that would never save, never save her son. He was left in some daughter’s arms. He was never going to come back home. Wheels up and the tail’s in flight. There’s no one to tell you what you’ve been fighting for. Is it worth fighting for? Interlude Cal was waiting for your friends. The keys were left in an open door. (Course) They were never invited. You were here to keep the score.
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about

Songs that span the arc of my time in San Francisco.

I tend to hold things close, especially when it comes to music I'm working on. I sweat the mistakes and relegate tracks to an ambiguous folder labeled "new songs", occasionally letting one loose on soundcloud.

Over time, this handful of songs began to settle in and take root. I've grown to appreciate the low-fi ambience in them, the cracks and pops of unsettled strings and the snap of the space bar that announces the start and the end.

This collection is about capturing that kernel of inspiration and seeing where it takes you.

Remastered at Lonely Pioneer Studios, August 2021

credits

released November 1, 2018

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all rights reserved

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about

The Crushing Days London, UK

The Crushing Days is Andrew Clark's current project.

His latest record, Ghosts of the Great Divide, follows his experiences moving abroad and the time between spent living out of a backpack awaiting visa clearance.

In some ways, it's a record about distance and reconnection. In others, it's about learning how to let go of the places that once defined you.
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